Assignment First

爱尔兰电影和电视研究论文代写:电视现实主义

另一方面,现实的电视让其说明现实。电视被认为是一个特定的形象与现实环境,保证准确的沟通和环境而无法做同样的在很多方面。电视的代表系统之一,是现实主义与信誉指数呈现电视内容,同时趋向于统一几个技术、审美和叙事实践。因此,我们可以说,与直接经验和现实电视现实主义是不相同的(阿尔都塞1970)。作为一个结果,它是由标志着话语和系统的交互与现实总是介导。

必须指出的是,作为一个标志着系统,电视的现实主义是无形的。它已经表示在段改变,或叙述故事呈现的机会直接与构造环境的交流(巴德1999)。现实不是这样,观众的影响必须信任电视但作为一种话语的内容和意义电视不是逮捕。一个强大的印象是培养的现实主义的表示电视并不包含在话语。

已经有研究表明,电视通过质询改变电视的事实但是标志着系统包括几个惯例和规范使用,为了构建电视文本。文化地图的代码建立了区分,分类,使其容易理解文本。建设的编码文本约定更多的韧性和介质特性意味着(阿尔都塞1970)。小说和非小说的区别在电视利用主代码。在这些领域,电视现实主义不能提供正确的信息,他们应该。看到在最近一段时间,而不是向公众提供适当的信息,电视认为它们是一种可能的市场销售广告。此外,事实和新闻所示不脱离任何类型的白衬衫和操纵(巴德1999)。因此,电视的基本目的是为已经丢失,存在一个强有力的伙伴关系在电视现实主义和质询,在事实没有显示之前没有任何节制。大多数人依赖电视给他们提供现实的事实和更新关于当前事件但是这个目的已经失败了。

爱尔兰电影和电视研究论文代写:电视现实主义

On the other hand, realism of TV allows its illustration as reality. TV is regarded as a specific figurative environment which assures accurate communication with the reality and environment and yet it precludes doing the same in many ways. One of the signifying systems of television is realism which renders TV content with a credibility index and at the same time tends to unify several technical, aesthetic and narrative practices. Hence, we could say that with the direct experience and reality the television realism is not identical (Althusser 1970).  As a result, it is by signifying discourses and systems that the interaction with reality is always mediated.

It must be noted that as a signifying system, the television realism is invisible. It has been seen that the representations are changed in segments, stories or narratives which renders an opportunity to directly communicate with the constructed environment of their own (Budd 1999). The impact of realism isn’t such that the spectators must trust the content of television but as a form of discourse and signification television isn’t apprehended as such. A powerful impression is cultivated by realism that the representations of television are not included in the discourse.

There have been studies which show that television by means of interpellation changes the facts however the signifying system of television consists of several conventions and codes which in order to construct TV texts are used. Cultural maps were established by Codes which distinguish, classify and make it easy to comprehend text. For the construction of coded texts conventions are more malleable and medium-specific means (Althusser 1970). The prevailing distinction amongst fiction and non-fiction is the main code TV draws upon. It is in these areas that the TV realism fails to provide the correct information which they are supposed to. It has been seen in recent times that instead of providing proper information to the public, television consider them to be a possible market to sell advertisement to. Moreover, the facts and news which are shown are not free from any kind of fabrications and manipulation (Budd 1999). Hence, the basic purpose for which television was made for has been lost and there exists a strong relationship amongst TV realism and interpellation; wherein the facts are not shown without any prior moderation. Most of the people rely to TV to provide them with realistic facts and updates about the current happenings but this purpose has been failed.