Rather he should with care and consideration for the familiar, while also involving old objects and furniture, unless the customer personally requests something that is new. “For your home you’ve always right” was somewhat pointedly the corresponding theme in his writings. This lot is in its facilities rather than from a certain kind modernity, but rather a critical continuation of certain traditions. [1]
In his designs, the influences of Classicism are evident, and certain models of English and American architecture from the land of construction (eg Norman Shaw) are seen too. This play in particular involves the fireplace and the grouping around comfortable seating which was considered to be artistically important. Characteristic of the architecture of Loos, in accordance with his above-mentioned requirements, is the use of noble materials. To find the right stone for his wall paneling, he sometimes traveled through Europe. Most of his finest furnishings and wood tables and chairs had sometimes been inspired by museum models by the company Friedrich Otto Schmidt. He used these models in tried and tested forms[2].
而他应该与熟悉的关怀和照顾，同时也涉及老物件和家具，除非顾客个人要求的东西是新的。”你的家，你总是对的”有点尖锐地在他的作品中相应的主题。这是在其设施，而不是从某一种现代性，而是某些传统的批判继承。
在他的设计中，古典主义的影响是显而易见的，从建设用地的英国和美国的建筑模型（如诺尔曼Shaw）看到过。这个游戏特别是涉及到壁炉和舒适的座位，这被认为是艺术的重要的分组。卢斯的结构特点，按照上述要求，是崇高的材料的使用。为自己找到合适的石头护墙，有时他游遍欧洲。他的大部分最好的家具和木桌椅有时受到博物馆模型由公司弗里德里希Otto施密特。他用这些模式的尝试和测试的形式。
