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个人陈述代写:艺术家创造形式的批判性分析

Paolozzi想把美术和日常用品结合起来。1960年,世界进入了消费主义的新时代。它在流行文化中得到了庆祝。全世界的人都接受了消费主义的新出现。包括Paolozzi在内的许多流行艺术家都接受了这一艺术理念。他还创作了许多广受好评的成功作品(李奇登斯坦51)。公众也接受了这些艺术理念。这种艺术形式在当代也很流行。尽管有这些明显的赞扬和赞扬,但在这个过程中也有一些批评。下面讨论这些艺术形式的不同观点。

许多艺术批评家质疑唯物主义的正确性。通俗艺术中有很多包含唯物主义的元素。这种唯物论观念深刻地影响了保罗齐的作品。他的意识形态发生了转变,他的艺术表现也发生了转变。本质上,超现实主义艺术家创造了新的艺术形式。在他的一些作品中,可以看到强烈的超现实主义。然而,在一些作品中,如艺术家的拼贴创作,有很多强调唯物主义。这是一个有趣的地方,也是一个让观众困惑的地方。尽管这位艺术家试图描绘消费主义的积极因素,但其中也隐藏着嘲讽消费主义过程的内涵。这些艺术家在他的早期生活中经历了许多问题(李奇登斯坦67)。似乎艺术家们对消费主义有一种蔑视和尊重。这可以从他的表情看出。他把艺术用于商业目的,以便把艺术的概念传播给大多数人。似乎艺术家们利用商业主义来传播有关波普艺术的知识。已经观察到的关键主题是可靠性方面。在解释Paolozzi的艺术作品的不同观点时,可以理解为已经有了多种解释。Paolozzi想要拥抱超现实主义,创造一种新的艺术表现。表达方式也表现在艺术家思想的演变和变化上。然而,也应该注意到,艺术的大规模生产使艺术同质化。不会有独特的艺术品。更多的贸易和广告活动将从艺术形式发展起来。正如Paolozzi所设想的那样,这种无处不在的艺术存在可以创造一种更加强调贸易和商业的局面。在这个大规模商业化的过程中,美术的影响和艺术的美感是可以减少或失去的。


个人陈述代写 :艺术家创造形式的批判性分析

Paolozzi wanted to mix fine art and everyday objects. In 1960 the world saw a new age of consumerism. It was celebrated in the pop culture. The people around the world embraced the new emergence of consumerism. Many of the pop artists including Paolozzi have embraced this artistic notion. He has also created a number of successful critically acclaimed works (Lichtenstein 51). Public has also embraced these artistic concepts. This art form is also widely popular in the current times. In spite of these obvious accolades and acclaims there is some criticism in this process. Alternate views of these art forms are discussed in the following.
Many of the art critics question the validity of materialism. There are a lot of elements in the popular art that embraces materialism. This materialism concept has profoundly impacted the works of Paolozzi. There is a shift in his ideologies and a transformation that is seen in his artistic expressions. Essentially surrealism artists he had created new relatable art forms. In some depictions of his work there is intense surrealism that can be observed. However, in the case of some works like the collage creations of the artist, there is a lot of emphasis given to the materialism. This is a point of intrigue and also a point that is perplexing to the viewer. Even though the artist has tried to portray the positive elements of consumerism there is also hidden connotations that mock the consumerism process. The artists have undergone a number of issues in his early life (Lichtenstein 67). It seems as if the artists have a disdain and respect for consumerism. This is seen in his expressions. He had used art for commercial purposes in order to spread the concept of art to the majority. It seems as if the artists have used commercialism to spread knowledge about pop art. The key theme that has been observed is the aspect of reliability. When explaining about alternate views of the artistic works of Paolozzi it can be understood that there has already been multiple interpretations. Paolozzi wanted to embrace surrealism and create a new artistic expression. Modes of expressions are also expressed in the artist’s evolvement and changes in ideology are also expressed. However, it should also be noted that mass production of art makes art homogenized. There will be no unique art pieces. It will be more trade and advertisements campaigns that will be developed form the art forms. This ubiquitous presence of art as envisioned by Paolozzi can create a situation where there is more emphasis given to the trade and commerce. Impact of fine arts and beauty of art can be reduced or lost in this process of mass commercialization.