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論文代寫評價:肖斯塔科維奇鋼琴三重奏

德米特裏·肖斯塔科維奇的這部作品創作於第二次世界大戰期間,包括小提琴、大提琴和鋼琴。樂曲由四個動作組成,平均時長26分鐘。在最後一個樂章中,音樂作品的整體結構可以分解為帶有猶太旋律的行板、快板、快板和快板。德米特裏用行板來表示高度不和諧的使用,並以一段相對困難的段落開始。此外,這三種樂器的使用都需要巨大的技術力量,才能將整個作品發展成奏鳴曲的形式。這三種樂器的共同使用標誌著高級音樂新紀元的開始。此外,使用的快板con brio,一種舞蹈,從未發現其專長增加了復雜性的工作。另一方面,值得註意的是,鋼琴和弦的重復背景和旋律線,沒有任何中斷。這首曲子是獨一無二的,因為在早期的音樂創作中,沒有一個音樂家嘗試過把這三種樂器都和卡農的材料結合起來。這是一個新的實驗,德米特裏用重復的音符來吸引觀眾的註意力。小快板以死亡之舞和猶太旋律開始,是音樂家的一種外用。他甚至重新審視了他的音樂作品中四個樂章中的三個的主題內容。此外,伴隨著痛苦的和弦,音樂的結尾是聽不清的,也缺乏給觀眾留下深刻印象的動力。德米特裏表示,他的意圖是使用最大限度的樂器來吸引觀眾,反對使用單一的樂器,這是高度重視和著名的觀眾。盡管傳統音樂在觀眾中很受歡迎,但這位音樂家並不害怕冒險。他想通過第三樂章的編舞和第四樂章的猶太旋律來展現創造力和創新。這部作品很復雜,未能在觀眾中激起預期的熱情。


論文代寫評價 :肖斯塔科維奇鋼琴三重奏

This piece of work by Dmitri Shostakovich, written in the midst of World War II, comprised violin, cello and piano. The piece consists of four movements with an average duration of 26 minutes. The entire structure of the musical work can be broken down in to andante, allegro con brio, largo and allegretto with Jewish melody in the last movement. Dmitri used andante to signify the use of highly dissonant and began with a relatively difficult passage. Moreover, use of all three instruments required tremendous technical power for developing the entire work into sonata form. The use of all three instruments together marked the beginning of a new era in advanced music. Moreover, use of allegro con brio, a dance that never finds its feat added to complexity of the work. On the other hand, repeated background of piano chords with melodic lines without any break was noteworthy. This piece of music was unique as no musician had tried to use all the three instruments with canonic material in their work in the early time. The work was a new experiment and Dmitri used repeated notes to hold back the attention of the audiences. The beginning of allegretto with dance of death movement and Jewish melody at the beginning was an outward use by the musician. He even revisited the thematic content in three of the four movements in his musical piece. Moreover, the end of music with a tortured chord was inaudible and lacked impetus to make a mark on audiences. Dmitri expressed his intent of using maximum instruments to attract audiences in opposition to use of single instrument which were highly regarded and renowned among audiences. The musician was not afraid of taking chances even though traditional music was very popular among audiences. He wanted to demonstrate creativity and innovation with the use of choreography in the third movement and Jewish melody in the fourth movement. The work was complex and failed to generate enthusiasm on expected lines among audiences.