论文代写：
文化资本
资本积累劳动力在企业或社会。在这个意义上社会的代理人是在任何时候启用适当的社会能量的繁荣。[1]这一社会能量的化身与一组约束在任何给定的时间。这些约束的干预措施是在大部分时间给定剧院的形式及其表现。什么不能直接使双关语,可能买舞台引发全国性的辩论。
最大化的利润被认为是更多的新古典主义经济理论基础。因此任何增加的利润价值人,机构或社会被视为一个有目的的练习。老套的说法,所有时代的流行文化和社会所持有是经济交流的唯一必要的输入时,需要考虑增加盈利能力的人。[2]然而情况并非如此。也可以有所谓的非经济交流也可以提高人力资本的价值。
甚至经济资本可以在这些形式的非经济有时代表交流。,可以说,任何形式的经济理论和利润观念不能没有这些非经济交流和支持他们的表现。
Cultural Capital
Capital is accumulated labour in the context of businesses or society. In this sense the agents of society are what enable the appropriate social energy to thrive at any time. [1]The embodiment of this social energy is works with a set of constraints at any given time. The interventions to those constraints are at most time given in the form of the theatre and its performances. What cannot be directly made pun of, might be bought to the stage triggering national debates.
The maximization of profit is seen as the more neoclassical basis of the economic theory. Therefore anything that increases the profit value of people, institution or society is seen as a purposeful practice. The stereotypical notion that popular culture and society of all times has held onto is that economic exchanges are the only necessary inputs to be considered when it comes to increasing the profitability of people. [2]However this is not the case always. There can also be what are called the non-economic exchanges which also increases value for the human capital.
Even economic capital can be sometimes represented in these forms of non-economic exchanges. In that it can be said that any form of economic theorizing and profit notions cannot be supported without these non-economic exchanges and their manifestation.