写简历的技巧：非洲艺术作品多样化的组标识
多样化的组标识在非洲艺术作品和他们的背景是博物馆,但是这种形式的多样性组合不是什么教育观众寻求了解非洲文化的博物馆。观众想了解非洲文化的文化含义。占主导地位的意识形态意义解释的人,一旦试图抑制意识形态和文化的土地可能是不正确的。在1995年认为,这就是创建欧元区为中心的神话。
写简历的技巧：非洲艺术作品多样化的组标识
在分析非洲画廊在印第安纳大学艺术博物馆,研究人员发现了一个非常狭窄的解释空间。非洲画廊在IU艺术博物馆被认为是高风险的游客几乎没有关于非洲散居侨民的知识。的游客已经很少这方面的知识,这是可能的,他们将最终得到扭曲的知识最好的。一些集合是时代的产物,比如约鲁巴人集合缺乏明确的指出理解整体。
写简历的技巧：非洲艺术作品多样化的组标识
A diversity of group identifies in African art works and their background which are the museums, however this form of diversity mix is not what will educate audience seeking to learn about African culture in the museums. Audience wanting to know about African culture are given interpretive meanings of culture. Meaning that are interpreted by people in dominant ideologies that once sought to suppress ideologies and culture of the land could be incorrect. As 1995 argued, this is where more of Euro-centric myths are created.
写简历的技巧：非洲艺术作品多样化的组标识
In an analysis of the African gallery at the Indiana University Art museum, researchers identified a very narrow interpretation space. The African gallery at the IU art museum was considered risky for a visitor who had little knowledge about the African diaspora. Where the visitor already had very little knowledge on the subject, it was possible that they would end up receiving distorted knowledge at the best. Some collections are which were a product of their times, such as the Yoruba collections lacked the definitive notes for people to understand them holistically.
