Kahn一直是一个以建筑相同的组合吸引观众的眼睛到这个特别的设计中心，并朝着大海前进。喷泉由这个学院根据太阳在春分和秋分[ voolen，E.，2006路中心运行，犹太文化和艺术。Prestel。138页。爱沙尼亚出生的建筑师卡恩（1901–1974），他随家人移民到费城1906 ]。因此，卡恩利用对称不是审美故障而与较高的意向性，提供一个有意义的相关的势头，焦点和平衡。
As a significant example related to this successful rehabilitation with respect to old ideas was his affection towards symmetry, which is considered as conformist and unimaginative in the modern architects. Kahn was the one designing the Institute of Salk in La Jolla, California presented as a complex consisting building, identical over either side related to a centralized fountain[ Johnson, E. J., 2009, A Drawing of the Cathedral of Albi by Louis I. Kahn, Gesta, Vol. 25, No. 1, pp. 159–165.]. This type of symmetry had been characteristics with respect to the style of Beaux Arts, but Kahn had been unperturbed towards this specifically apparent regression.
Kahn had been the one using the identical combinations of building for drawing the eye of viewer to the center of this particular design, and moving towards the sea ahead. The fountain running by the center of this particular institute aligning with the way of the sun over both the vernal and autumnal equinox[ Voolen, E., 2006, Jewish art and culture. Prestel. p. 138. The Estonian-born architect Kahn (1901–1974), who immigrated with his family to Philadelphia in 1906]. Thus, Kahn utilized symmetry not being an aesthetic fault but rather with higher intentionality, for providing one having a sense related to momentum, focus and balance.
Majority of the modern architects have mainly relied upon glass, concrete and steel, but Kahn sought a number of different categories of sensory materials. The archetypical forms of Kahn date back to the architecture of Greece, for which he obtained knowledge in the 1950s. According to Kahn, this form of architecture taught him that where there is light, there is space, and where there is no light, there is column[ Goldberger, P., 1974, Louis I. Kahn Dies; Architect was 73,” The New York Times, p 1.]. Hence, according to his philosophy, Kahn believes that light also has to be considered as the centralized element as he considered the fact that the element of light helps in giving the presences of all of the other elements. Every single material of nature, the streams and the air, and the mountains, as well as the humans, are made at the cost of light.