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英国艾希特大学论文代写:非裔美国人研究

美国在非洲裔美国人的成长中发挥了重要作用。“美国”这个词可能仍然不准确,因为美国被看作是一个由各种文化组成的融合体,随着非洲人涌入美国,他们在美国文化中的个人身份是正确的。人们在日常生活中接触到非洲文化,无论是喜欢音乐,舞蹈,歌曲,听收音机,吃他们的美食和支持和非裔美国人的总司令,不管他们喜欢与否。由于多元文化在许多经济体中相互支持,并提供了巨大的机会,非洲人做出了非凡的贡献,超出了劳动和就业对经济的简单而基本的贡献范围.。这篇文章与论文,声称不参与少的贡献,非洲裔美国人也有显着影响的美国文化概念等“自由奴隶,音乐,奴役,非洲裔美国人的迁移模式,和劳动力市场经济视角。
非洲裔美国人对美国的第一个贡献是音乐的范围。斯图尔特(1998)补充说,非洲裔美国人的音乐有本扎根在非洲撒哈拉以南地区的节奏音乐传统的非洲组。奴隶制年看到了音乐的使用,主要是在几代人之间转移学习的意图,煽动情绪和传递信息。精神的音乐仍然在教堂被合并的欧洲音乐创造特殊的韵。后来在19世纪,这音乐是能够进入传统的美国社会的黑脸吟游表演。在第二十世纪开始,本发明和现代技术创新的介绍帮助提升African American音乐在音乐产业的高度优势的白人(南部,1971)。这个著名的音乐形式出现,如爵士乐,拉格泰姆音乐,蓝调和摆动越来越流行。因为许多白人音乐行业专家认为是迟钝和生锈的非洲音乐,总人口几乎是支离破碎的让这些音乐进入主流音乐和电视产业。像“哈利路亚!那是和非裔美国人导演的戏剧有助于填补百老汇。一种新的音乐形式,被称为布朗克斯南部已经开始在黎明70具有特殊的元素被认为是半唱半说。这种特殊的音乐文化运动推动嘻哈像髋关节的房子的形式,说唱和新杰克摇摆(2003赫兹,杰克逊Ribeau,)。在第二十世纪后期,音乐开始被广泛接受在主要的好莱坞电影与唱这些歌曲的现代艺术家谁唱老歌的新流派。

英国艾希特大学论文代写:非裔美国人研究

United States has seen a major role in its growth being played by African Americans. The term ‘American’ may still be inaccurate because the United States is seen as an amalgamation consisting of various cultures, and with the influx of Africans into America it is correct to say that they have made their personal identity in the American culture. People in their everyday life have been exposed to African culture, be it in music, dance, songs, listening to radio, eating their cuisine and support and African American Commander in Chief, whether they like it or not. As multiple cultures have been supporting each other in many economies and have provide immense opportunities, the Africans have made an extraordinary contribution which goes beyond the scope of the simple and basic contribution to the economy as labor and employment. This essay argues with the thesis that as claimed for non-involvement and fewer contribution, African Americans have had a significant influence on the culture of United States such as concept of ‘free-slaves’, music, slavery, migration pattern of African Americans, and labor markets economic perspective.
The first contribution made by African Americans to the United States is in the scope of music. Stewart (1998) adds that the music of African Americans had ben rooted in the traditional African groups in the polyrhythmic music in the regions of Sub Saharan Africa. The slavery years saw the use of music primarily which had the intention of transferring learning between generations, to incite emotions and relay messages. The spiritual music still sung in churches is being amalgamated with European music to create special rhymes. Later on in the 1800s, this music was able to enter conventional American society as a result of the blackface minstrel show. When the twentieth century began, the invention and introduction of modern technological innovation helped in elevating the African American music to great heights in the predominated music industry of the whites (Southern, 1971). With this advent, famous music forms like jazz, ragtime, blues and swing became more popular. Since a number of white music industry experts thought the African music to be duller and rusty, the general population was almost fragmented into allowing entry of such music into the main stream music and television industry. Plays like ‘Hallelujah!’ that was and African American directed play helped to fill the Broadway. A new form of music called South Bronx had started during the dawn of 1970s which had special element of being considered as half singing and half speaking. This particular musical cultural movement propelled the forms of hip-hop like hip house, rap and new jack swing (Hecht, Jackson & Ribeau, 2003). Late in the 20th century, the music started to become widely accepted in major Hollywood films along with the singing of these songs by modern artists who sang old songs in new genres.