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英国论文代写:皮埃尔·布尔兹的乐章构成

这幅作品是法国作曲家皮埃尔·布尔兹创作的。它用诗歌和六种乐器来吸引观众的注意力。这位音乐家是现代主义作品的作曲家,他使用了六个缺乏背景的乐章。前三个乐章是《福瑞欧的工匠》,其余三个乐章是《孤独的布尔罗》。随着长笛和中提琴与颤音琴和吉他的使用,皮埃尔在同一音乐作品中做出了相对较少的变化。此外,演奏技巧和记谱法在其他音乐动作中保持不变。这位音乐家做了一件杰出的工作,展示了乐器和诗歌的广泛应用。布列兹采取了一种进步的方法,并确保他的工作成为著名的和有影响力的未来。因此,他有意识地在不顾及观众和评论家意见的情况下进行修改。这首乐曲有九个乐章,四个乐章构成了三首诗的一部分。为了便于演示,Boulez将这些动作分为三组。第一组由I、III和VII组成,第二组由II、IV、VI和VIII组成,第三组由V和IX组成。这位音乐家总是急切而又绝望地想通过器乐段落来表达和解释自己的作品。作品在表现手法和趋势上都有所不同,因为他相信严格控制自己的情绪。此外,皮埃尔并不害怕在他的作品中使用小的个体元素来提供兼容性。音乐家改变了听众听不清的个别音符,以区别对待。皮埃尔虽然有西方音乐的背景,但他并不害怕使用非西方的乐器。他的音乐风格的另一个显著特点是使用不同的乐器,这与任何特定的音乐类别没有关系。声乐动作是不同声乐乐器的一个子集,由音高的跳跃性构成。他在他的音乐作品中使用了不同的乐曲,而不是两三首乐曲。


英国论文代写 :皮埃尔·布尔兹的乐章构成

This piece of work is by French composer Pierre Boulez. It uses poetry and six instruments to catch the attention of audiences. The musician was a composer of modernist works and used six movements which lacked settings. The first three movements were Artisanat furieux while the other three movements were Bourreaux de solitude. With the additional use of flute and viola with vibraphone and guitar, Pierre made relatively less alternations in the same musical composition. Moreover, playing techniques and notation remained the same in other musical movements. The musician did a remarkable work to present such extensive use of instruments and poetry. Boulez followed a progressive approach and made sure that his work became famous and influential in the future. Thus, he consciously made revisions without caring audiences and the critic’s opinion. The music had nine movements with four movements forming part of three poems. These movements were bundled into three groups by Boulez for presentation purpose. The first group comprised of I, III, and VII, while the second had II, IV, VI, and VIII movements and the third group comprising of V and IX movements. The musician was always eager and desperate to express and explain his own composition through the use of instrumental passage. The work was different in terms of presentation and trend, as he believed in strict controlled temper. Moreover, Pierre was not afraid to use small individual elements in his piece of work within the overall structure for providing compatibility. The musician changed individual notes which were inaudible to audiences for differentiation. Pierre was not afraid to use non-western musical instruments even though he was from western musical background. The other key notable point of his musical style was the use of different instruments, which had no relationships with any specific musical category. The vocal movements were subset of different vocal instruments and comprised of leaps and bounds pitch for communication of musical tones. He used various compositions in his musical piece in contrast two or three compositions.