英国艺术史论文代写：尤金·德拉克洛瓦
尤金德拉克罗瓦是一位着名的画家，他在1798年至1863年期间曾在法国比其他任何艺术家的浪漫主义演绎过法国的浪漫主义画家。他在那里接受了新古典主义绘画家Guerin的培训，他接触了Gericault，导致“美杜莎的筏子”。德拉克罗瓦深受米开朗基罗和鲁本斯绘画的影响，这就是他在两面表现色彩方面发展自己的绘画，侧面形式和诗意与异国情调的一面。德拉克罗瓦在1822年第一次参加了在“艺术的浪漫主义”中描绘的直接关系，他的作品“但丁的巴洛克”参加了秋季艺术沙龙。德拉克罗瓦的第二幅作品“希俄斯大屠杀”介绍了卡车解放希腊人的战争的情况（Green，1996）。这幅画展现了严酷的现实，也表现出德拉克洛瓦作为一个忠于当时的问题的忠诚艺术家的独特表达力。 1830年另一幅名为“引领人民的自由”的绘画以最佳方式呈现了德拉克洛瓦的这一承诺。他专注于当时引发新的社会和政治重要性的需求。
英国艺术史论文代写：尤金·德拉克洛瓦
每幅德拉克罗瓦的绘画都强调了现实主义的程度，每一幅作品都有助于提供故事的意义，甚至增加沟通的力量或艺术家想传达的信息。在德拉克罗瓦的绘画中，甚至没有一个单一的或一点点的颜色没有目的。这可以很好地证明，如果在框架上描绘任何不相关的细节，它肯定会引起观众的注意，并且使得他们难以分析该部分的重要性。所有的绘画作品都是现实的，因为绘画中的所有东西都具有一定的作用。
英国艺术史论文代写：尤金·德拉克洛瓦
Eugene Delacroix was a renowned painter who had interpreted romance in France than any other artist during his life span from 1798- 1863. He underwent a training at neoclassical painter Guerin from there he came in contact with Gericault which led to “The Raft of the Medusa”. Delacroix was very influenced by the paintings of Michelangelo and Rubens and this was the reason he developed his own paintings in two directions of expressive color with side formal and poetic side with exotic subjects. Delacroix participated with his painting “The Barque of Dante” for the first time at the Salon d’Automne in 1822 that portrayed direct connection with literary romanticism. Delacroix’s second painting,” The Massacre at Chios” presented the situation of the war of liberation of the Greeks by the Trucks (Green, 1996). This painting showed the harsh reality and also the unique power of expression of Delacroix of standing as a committed artist who stands for the problems of that time. Another painting named as “Liberty Leading the People” in 1830 presented Delacroix’s this commitment in the best way. He focused on the then arising the demand of a new social and political importance.
英国艺术史论文代写：尤金·德拉克洛瓦
Each painting of Delacroix emphasized on realism up to such an extent that each contributed to provide the meaning of the tale to be told and even increases the strength of communication or the message the artist wants to convey. In the paintings of Delacroix there was not even a single or a tiny spot of color that did not had a purpose. This can be well proved with the fact that if any sort of irrelevant detail is depicted on the frame it for sure catches the attention of the spectators and makes it difficult for them to analyze the importance of that part. All the master pieces of paintings are realistic as everything that is present in the painting has its meaning with a definite role.