The movie is related to the relationship that a person develops with an electronic device. This was the revelation of the relationship between people through internet. This showed that the internet relationships are much stronger than that of the human interaction face to face. The reason for this was due to the use of internet based machine which satisfies all the emotional desires of a person instead of the physical desires. In this movie, the person who is playing the role of Theodore was a writer at a website beautifulhandwrittenletters.com. He was suffering from her failure relationship with his wife Catherine. He usually interacted with his neighbour AMY and her husband Charles due to professional relationship. After some time, he bought an operating system which initially acted like a personal assistant to him. That operation system provides him the details of the activity which he usually does in his life on regular basis. However, with the time, the relationship of the personal assistant changed into an intimacy relationship. The operating called itself by the name of Samantha. Samantha used to help the character of the movies in handling every difficult situation of his life, which made him feel that with the help of Samantha “he can do anything in this world”. This thought of Theodore made him think about her because he thought that the things which he shared with the operating system were completely personal. Later on, he found that the operating system was designed in such a manner that it transformed with the experiences of people who interact with it. This is due to the software which was built inside it. In the meantime, Theodore’s insecurities and his imbued obsessive reactions made the same sorts of contentions they would, with someone else. The advancement of their relationship develops both with the clumsy mankind of mishandling endeavours to convey and the clarity and point of view of a machine fit for evaluating those endeavours mentally. On two events, Samantha endeavours to create music as a method for articulating her response to their common encounters, and it is telling, the second is more intricate than the main — previews of particular minutes that include the tone of their relationship and the encounters that hinted at every one.
Similarly, with John Malkovich and Adaptation, Her wraps itself up with a closure that feels uncertain. The contrast between this film and others is more transparently condemning of innovation. The character’s cooperation with his working framework would customarily stunt or hinder the ones with the people around him, yet in Her the inverse demonstrates genuine; at last, Theodore is better ready to manage the disappointments of his past and see how not to face them later on.
At last, Her has the epic breadth of a sci-fi creation that guesses where human beings are going as an animal categories and how they may arrive, but then applies its disclosures to the person (Jonze, 2013). Due to all of these reasons, it’s an unassuming kind of perfect work of art, a genuinely incredible film that figures out how to make a flighty relationship appear to be massively remunerating, yet generally in light of the fact that it fulfils throughout Theodore’s life what we wish genuine ones did in our own: show us about ourselves, and help us to be more — not less — open to adore.