英文论文修改：运用电影风格来探究亲密的本质
这部电影与一个人与电子设备之间的关系有关。这是通过互联网揭示人与人之间的关系。这说明网络关系比人与人之间的面对面互动要强大得多。这是因为使用了基于互联网的机器，它满足了一个人所有的情感欲望，而不是身体上的欲望。在这部电影中，扮演西奥多的人是beautifulhandwrittenletters.com网站的一名作家。他正遭受着她和他妻子凯瑟琳关系破裂的痛苦。由于工作关系，他经常与邻居艾米和她的丈夫查尔斯交往。过了一段时间，他买了一个操作系统，这个系统最初就像他的私人助理。那个操作系统为他提供了他日常生活中经常做的活动的细节。然而，随着时间的推移，私人助理的关系变成了亲密关系。这家公司自称为萨曼莎(Samantha)。萨曼莎曾经帮助电影中的角色处理他生活中的每一个困难情况，这让他觉得在萨曼莎的帮助下“他可以在这个世界上做任何事情”。西奥多的这个想法让他想到了她，因为他认为他与操作系统共享的东西完全是私人的。后来，他发现操作系统的设计方式是根据与之交互的人的经验进行转换的。这是由于内置的软件。与此同时，西奥多的不安全感和他充满魅力的强迫性反应，也会让他们对别人产生同样的不满。他们的关系的发展既与笨拙的人类在传达错误的努力方面所作的笨拙努力有关，也与一个适合在精神上评价这些努力的机器的清晰和观点有关。在两个事件,萨曼莎努力创造音乐作为表达她的方法应对他们共同的遭遇,告诉,第二个是更复杂的比主-预览的分钟,包括他们的关系和遇到的语气暗示每个人。
同样，在约翰·马尔科维奇(John Malkovich)和《适应》(Adaptation)中，她以一种不确定的结局结束了自己。这部影片与其他影片的对比更明显地谴责了创新。角色与他的工作框架的合作通常会阻碍或阻碍他周围人的合作，但在她身上却恰恰相反;最后，西奥多准备好更好地处理他过去的失望，并看到如何不面对他们以后。
最后，她拥有科幻小说创作的史诗般的广度，可以猜测人类作为动物类别将走向何方，以及它们将如何到达，然后将其揭示给人(Jonze, 2013)。由于所有这些原因,这是一个谦逊的一种完美的艺术作品,真正令人难以置信的电影,找出如何让一个轻浮的关系似乎大规模酬劳,但通常它实现的事实在西奥多的生活我们希望真正的在我们自己的:向我们展示自己,帮助我们更加崇拜——而不是减少——开放。
英文论文修改 ：运用电影风格来探究亲密的本质
The movie is related to the relationship that a person develops with an electronic device. This was the revelation of the relationship between people through internet. This showed that the internet relationships are much stronger than that of the human interaction face to face. The reason for this was due to the use of internet based machine which satisfies all the emotional desires of a person instead of the physical desires. In this movie, the person who is playing the role of Theodore was a writer at a website beautifulhandwrittenletters.com. He was suffering from her failure relationship with his wife Catherine. He usually interacted with his neighbour AMY and her husband Charles due to professional relationship. After some time, he bought an operating system which initially acted like a personal assistant to him. That operation system provides him the details of the activity which he usually does in his life on regular basis. However, with the time, the relationship of the personal assistant changed into an intimacy relationship. The operating called itself by the name of Samantha. Samantha used to help the character of the movies in handling every difficult situation of his life, which made him feel that with the help of Samantha “he can do anything in this world”. This thought of Theodore made him think about her because he thought that the things which he shared with the operating system were completely personal. Later on, he found that the operating system was designed in such a manner that it transformed with the experiences of people who interact with it. This is due to the software which was built inside it. In the meantime, Theodore’s insecurities and his imbued obsessive reactions made the same sorts of contentions they would, with someone else. The advancement of their relationship develops both with the clumsy mankind of mishandling endeavours to convey and the clarity and point of view of a machine fit for evaluating those endeavours mentally. On two events, Samantha endeavours to create music as a method for articulating her response to their common encounters, and it is telling, the second is more intricate than the main — previews of particular minutes that include the tone of their relationship and the encounters that hinted at every one.
Similarly, with John Malkovich and Adaptation, Her wraps itself up with a closure that feels uncertain. The contrast between this film and others is more transparently condemning of innovation. The character’s cooperation with his working framework would customarily stunt or hinder the ones with the people around him, yet in Her the inverse demonstrates genuine; at last, Theodore is better ready to manage the disappointments of his past and see how not to face them later on.
At last, Her has the epic breadth of a sci-fi creation that guesses where human beings are going as an animal categories and how they may arrive, but then applies its disclosures to the person (Jonze, 2013). Due to all of these reasons, it’s an unassuming kind of perfect work of art, a genuinely incredible film that figures out how to make a flighty relationship appear to be massively remunerating, yet generally in light of the fact that it fulfils throughout Theodore’s life what we wish genuine ones did in our own: show us about ourselves, and help us to be more — not less — open to adore.
