The famous director Wong Kar Wai directed a film in the year 2000, “In the Mood for Love”. This film can be used to describe the role of cinematic vocabulary in a better way. Wong Kar Wai directs movies which are aggressively modern. “In the mood for love” is based on a story of two neighbors who discover that their spouses are having an affair. The two fell in love with each other while sharing their sorrows. Wong has toned down his aggressive style in this movie. The movie has less camera movement due to the reality that the director wants to portray. There’s a scene in which there’s an elaborate camera movement which catches the reflections of both the characters in a side to side tracking shot. The film is filled with passionate scenes which are picturized in an absolutely astounding way. The camera has played in expressing the emotions have made the efforts of the actors look secondary. This doesn’t mean that the actors haven’t played their part well; the actors have played their parts brilliantly. Wong is credited for many of his films for being an extremely successful filmmaker; he has been highly praised for his neat looking shots which are filmed in a simple manner but has a great impact on the viewers. “In the mood for love” is a master piece when it comes to the use of cinematic vocabulary, because of its sophistication.
The structure of feelings is an emerging concept that is an idea based on sociology in which the cinematic moments are expressed in the most delicate and least tangible parts of the movie which makes the cinematic experience full of emotions and feelings. The pattern of the structure of feelings includes impulses, tones and restraints. The structure of feelings is more appealing to the audience and is dependent on how the cultural values are shaped of the target audience. There is mostly more than one structure of feelings that appeal in a society. The importance of identifying the structure of feelings is that It can help a director to acknowledge how much of the emotional logic can be expressed culturally. The structure of feelings can sometimes derive away from the sensibilities that are required in the movie making process; therefore a sound balance should be maintained. It is important for the director to convey the emotions properly in a pattern and also with a certain amount of sensibility which can appeal to the audience in a better way. It is the audience that makes a film big. The success or a failure of a movie depends on how the message has been conveyed to the audience; a script which has the emotions following a certain pattern is more likely to appeal to the audience rather than a haphazard script.
在2000年的著名导演王家卫执导的一部电影，《花样年华》。这部电影可以用来更好地描述电影词汇的作用。王家卫执导的电影，这是现代的气息。“花样年华”是基于两个邻居发现他们的配偶有外遇的故事。两个相爱，分享他们的悲伤。黄已经淡化他的侵略性的风格在这部电影里。这部电影有更少的摄像机运动在现实生活中，导演想描绘。有一个场景中，有一个复杂的摄像机运动捕捉两个字符在一个侧反射面跟踪拍摄。这部影片充满激情的场面，是绝对惊人的图像化的方法。相机在表达情绪起到了演员的努力看中学。这并不意味着演员还没有发挥他们的部分井；演员发挥他们的部分精彩。黄是归功于他的许多电影是一个非常成功的电影制片人；他一直高度赞扬他的看起来整洁的镜头，在一个简单的方式拍摄，但对观众的影响很大。《花样年华》是大师的作品，当谈到电影词汇的使用，由于其复杂性。
情感的结构是一个新兴的概念，是基于社会学的电影时刻是最微妙的和有形的电影，使电影的经验，充满情感的部分表达想法。感情的结构模式包括冲动，音调和约束。情感的结构是对观众更有吸引力，是如何依赖文化价值观的目标受众的形。主要是有多于一个的结构，在一个社会情感诉求。识别情感结构的重要性在于，它可以帮助一个导演承认多少的情感逻辑可表达文化。情感的结构有时会远离，在电影制作过程中所需要的情感得到；因此，声音要保持平衡。对于导演要表达的情感在适当的模式也与情感，能吸引观众的一种较好的方法一定是很重要的。这是观众，使影片大。成功或失败取决于电影的消息被传达给观众；一个脚本，有情感，按照某种模式更能吸引观众而不是一个偶然的脚本。
